THE BEST ORTHODOX ORTHODOX WEB GALLERY

 

PAGE THREE


To the east of the monastery is the old Hermitage of the Assumption of St John of Rila. In 1811 Toma Vishanov, a painter from Bansko, decorated it with wall paintings depicting scenes from the saint's life. Some 200 meters south of the monastery is the Presentation of the Virgin Ossuary of 1795, situated in the churchyard and covered all over with murals betraying the transition from the Middle Ages to the National Revival Period.  

Wall-painting from the Presentation of the Blessed VirginBurial Ground Church (1795) with the virgin's Akathist scene.

Three kilometers east of the Rila Monastery is the St Luke's Hermitage. Round a big courtyard is the school of Neophit of Rila (1843), the Church of St Luke (1798-1799), built on donations from Ivan Kalpakchi - a craftsman from Stara Zagora who later became Monk Ignatius. The walls and vaults of the church are decorated with scenes from the Church Feasts and Passions, the Zodiac, Christ the Almighty, the portrait of Monk Ignatius and the Last Judgement monumental composition, displaying 35 scenes and many separate human figures. The second church - the Shroud of the Virgin (1805), was built by master-builder Mihail from the town of Rila. It is a one-nave stone structure with an apse. The walls and the vault were adorned with murals in 1811 by Toma Vishanov. Prominent among these are the portrait of Deputy-Abbot Theodosius - a church-donor, the Trials of the Soul composition telling about man's sins and virtues through the expressiveness of pictorial art, and the Virgin's Seven Virtues. At a distance of four kilometers west of the Rila Monastery is the Pchelino Convent. Its residential wings were raised in the 19th century, while the one-nave stone Church of the Assumption with an apse is of an earlier date. Dimiter Molerov

painted the building in 1834-1835 with the help of Monk Sebastian and his disciple Raphael from the Rila Monastery. They were portrayed on the western wall of the naos. The Virgin - Queen of Heaven with the Newborn Christ Enthroned and the Last Judgement are truly remarkable compositions. Monk Zahari painted the icons in 1789.  

Wall-painting by N. Obrazopissiv at the Orlitsa Convent depicting the transfer of St John of Rla's relics (1863)

The Rila Monastery treasures some of the most impressive icon paintings created in the 14th-19th centuries as a special favor for the cloister. The portrait of the monastery's patron - St John of Rila, was most frequently painted. Among a diversity of depicted subjects distinguished for their artistry of the highest order are the icons of St Arsenius (14th-15th centuries), the Assumption, the Candlemas, St George Enthroned (15th-16th centuries), John the Precursor, Archangel Michael, Christ Enthroned (17th century), St John of Rila with Lives (17th-18th centuries), St John of Rila and John the Precursor (1796), St John of Rila and His Nephew Luke, the icon paintings at the Pchelino Chapels (1791), the Holy Archangels (1786), and the Orlitsa Convent. A great source of interest are the six icons painted by Monk Zahari in 1789, richly plated with gold: Christ the Almighty, the Holy Virgin, St George, St John the Baptist, the Assumption and St John of Rila.  

During the Ottoman rule (15th-19th centuries), the Rila Monastery turned into a center of spiritual, cultural and literary self-preservation and revival of the Bulgarian spirit and nationality. It was a place where old relics were kept and new works of art were created, and copies of mediaeval Bulgarian authors, representing mainly the Turnovo and Mount Athos schools, were made. These were the Roman Panegyric (1479) of Vladislav the Grammarian, the eulogies of Mardari of Rila (1483 and 1509), the Hexameron of John the Chrysostom (1480), canons and lives of St John of Rila (end of the 15th century). In the 15th century D. Kantakuzine and the Rila Narrative by Vladislav the Grammarian wrote a laudatory life of St John of Rila. During the 16th-17th centuries new works continued to be created at the Rila Monastery and new copies to be made, while during the National Revival Period (18th-19th centuries) schools and centers of learning were established where Joseph Bradati was a teacher, and Neophit of Rila and Theophan of Rila were pupils. In 1839-1848 Hieromonk Neophit of Rila became twice the monastery's abbot. He also taught at the monastery school, which trained teachers and clergymen to serve the needs of the whole country. Neophit of Rila was the first ever teacher at the Gabrovo High School, founder of the Bulgarian secular education.

After the liberation of Bulgaria from the Turkish invaders, the Rila Monastery acquired new rights and made headway in its cultural and economic development. In 1976 it was declared a national historical reserve, and in 1983 it was included into the UNESCO list of the world cultural and historical heritage.


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